BreathSync
Visualizing Breath Rhythms to Explore Empathy and Connection
We breathe more than twenty thousand times a day. Each inhale and exhale is subtle enough to fade into the background— an automatic rhythm that keeps us alive yet rarely enters awareness. Breathing is one of the most intimate and continuous physiological processes we have, but also one of the least noticed.
We seldom perceive our own breath, and almost never notice another person’s breathing unless we share physical closeness or emotional intimacy with them — a partner sleeping beside us, a friend calming down next to us, a child’s breath softening as they fall asleep. Outside such rare proximities, breathing remains private, hidden behind social boundaries and everyday noise.
We seldom perceive our own breath, and almost never notice another person’s breathing unless we share physical closeness or emotional intimacy with them — a partner sleeping beside us, a friend calming down next to us, a child’s breath softening as they fall asleep. Outside such rare proximities, breathing remains private, hidden behind social boundaries and everyday noise.
Yet breath is more than mechanical. It reflects our internal state in real time — tightening with anxiety, opening with groundedness, speeding up with excitement, slowing with relief.
In social psychology, empathy refers to the capacity to understand and resonate with another’s internal state, spanning both cognitive empathy (recognizing how someone feels) and affective empathy (sharing that feeling) (Davis, 1994). Empathy is also physiological: research shows that people often unconsciously align their bodily rhythms—posture, heartbeat, even breathing—with those around them (Hatfield, Cacioppo & Rapson, 1994). In group contexts, such synchrony strengthens social bonding, promotes emotional convergence, supports collective regulation, and creates a sense of shared presence.
Thus, even minimal cues—like witnessing another person’s breathing pattern—can evoke connection, resonance, and a feeling of belonging within a group (Feldman, 2012).
These insights suggest that breathing—normally private, invisible, and unnoticed—may be a uniquely sensitive medium for examining how people relate to themselves and to others. By turning breath into something perceptible, we create an opportunity to observe processes that usually remain hidden: how individuals recognize their own internal state, how they attune to another person’s emotional rhythm, and how subtle physiological cues shape feelings of connection.
In social psychology, empathy refers to the capacity to understand and resonate with another’s internal state, spanning both cognitive empathy (recognizing how someone feels) and affective empathy (sharing that feeling) (Davis, 1994). Empathy is also physiological: research shows that people often unconsciously align their bodily rhythms—posture, heartbeat, even breathing—with those around them (Hatfield, Cacioppo & Rapson, 1994). In group contexts, such synchrony strengthens social bonding, promotes emotional convergence, supports collective regulation, and creates a sense of shared presence.
Thus, even minimal cues—like witnessing another person’s breathing pattern—can evoke connection, resonance, and a feeling of belonging within a group (Feldman, 2012).
These insights suggest that breathing—normally private, invisible, and unnoticed—may be a uniquely sensitive medium for examining how people relate to themselves and to others. By turning breath into something perceptible, we create an opportunity to observe processes that usually remain hidden: how individuals recognize their own internal state, how they attune to another person’s emotional rhythm, and how subtle physiological cues shape feelings of connection.
This project begins with a simple yet provocative question:
1. How does making one’s own breath visible influence self-empathy, emotional regulation, and the perception of internal states?
2. How does witnessing the breathing patterns of unfamiliar others affect group empathy, perceived social connection, and emotional resonance?
By making one’s own breath visible, the system lets users encounter their internal rhythm as something tangible—inviting gentleness, recognition, and a softened relationship with the self.
By presenting the anonymous breaths of strangers, it reveals how pure rhythm—without faces or stories—can still evoke resonance, distance, or fleeting connection.
Together with the survey and shared database, the system traces how breath becomes a medium through which individuals sense themselves, sense others, and momentarily share an embodied emotional space.
By presenting the anonymous breaths of strangers, it reveals how pure rhythm—without faces or stories—can still evoke resonance, distance, or fleeting connection.
Together with the survey and shared database, the system traces how breath becomes a medium through which individuals sense themselves, sense others, and momentarily share an embodied emotional space.
Self-Empathy Stage
Breathing Data Understanding
Effective visualization begins with understanding the underlying breathing data—its form, its noise, and its rhythmic structure.
What ultimately shapes the curve is the breathing amplitude, the size of each inhale and exhale: larger amplitudes expand the form, smaller ones pull it inward.
In essence, the visual pattern is simply the spatial expression of the breath’s rhythm.
Real-time Breath Visualization
Initial Visual Prototype: circle motion
My initial approach was very straightforward: I mapped each moment of breathing amplitude directly to changes in the size of a shape. When the breath value increased, the circle expanded; when it decreased, the circle contracted. This one-to-one mapping allowed users to immediately perceive their breathing rhythm visually.
I extended the linear mapping to additional visual dimensions, including color gradients, glow intensity, and layered shapes. But regardless of how the visual appearance evolved, everything followed the same underlying principle: every visual change was driven directly by breathing data, not by an independent animation curve.
James Turrell
James Turrell’s work inspired me with how subtle shifts in light, color, and depth can make a space feel infinite and heighten one’s awareness of inner perception.
It made me consider how minimal cues can also guide self-awareness. Instead of using light fields, I work with the smallest rhythm of the body—breath. By letting simple changes in color and shape follow its pattern, I aim to help viewers sense the cadence of their own breathing and reconnect with something usually invisible.
Visualization A — Dynamic Circle,
Visualization B — Live Environment,
Visualization C — Background–Circle Interaction
Participant feedback showed that Visualization C—the version using simple geometric forms and background transitions—generated the strongest sense of breath engagement. More than seven of the ten participants identified it as the visualization that most effectively helped them tune into their breathing.
Includes: red, orange, yellow
Psychological effects:higher arousal, warmth, energy, sociability; increased attention and emotional intensity.
Includes: blue, green, purple
Psychological effects: calmness, reduced anxiety, improved focus, and a sense of expanded space.
Includes: white, gray, black, beige
Psychological effects:balance, neutrality, minimal stimulation.
White: purity, clarity
Gray: restraint, neutrality, emotional flatness
Black: power, sophistication, also heaviness
All music is from Epidemic Sound.
With ambient and main music layers, stronger breathing increases the ambient sound while reducing the main track.
Group Empathy Stage
Analysis of the Breathing Empathy Questionnaire
Questionnaire URL (click here)
Sharing Database
music from QAQmusic
Davis, M. H. (1994). Empathy: A social psychological approach. Westview Press. https://doi.org/10.4324/9780429493898
Feldman, R. (2012). Bio-behavioral synchrony: A model of bonding. Current Directions in Psychological Science, 21(3), 235–240. https://doi.org/10.1177/0963721412446813Hatfield, E.,
Cacioppo, J. T., & Rapson, R. L. (1994). Emotional contagion. Cambridge University Press. https://doi.org/10.1017/CBO9780511620851
Kandinsky, W. (1979). Point and line to plane. Dover Publications.
Wong, W. (1993). Principles of form and design. Van Nostrand Reinhold.